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Anyway*

after Dorothy Chan

            Girl, you’re a slapdash shot

of tequila, aren’t ya, in your overalls

            and cowboy boots. Don’t you know

this isn’t the place? I love the way

            you run the edge of your nail across

                        the bottom of my lip, how you cut

your eyes to the crook of my neck,

            like Carmilla with Laura under

the trees at her fathers estate–

            all we’re is missing is some masks

                        and a pair of fangs, and we’d be cursed

to the crypts of our family graves.

            Girl, you’re the steel hitch holding

down the train cars as we roll off

            a Tampa track, the tourists ogling

                        over banked, scaly bodies, sugared

hush puppies, fried conch fritters,

            and the lip puckering tartness

of a key lime pie so sweet,

            I’m already over my allotment

                        of rag tag cracker cliches, even Florida

has to blush; I couldn’t forget her, though,

            the first apple of my alligator eye,

but listen: it was back in Tallahassee

            when I asked if Nic thought

                        I belonged to the streets, and without

blinking he said I reminded him of

a bench at Cascade Park,

permanently out in the wind

            and the rain. I used to look for love

                        over the click of a pool cue and the chalk

on a rod, used find it under red wine

            and pink lipstick with it’s hand

perched like it was about to squash a bug.

            Oh, I found love and it spit me out

                        like a gulp of Mississippi River water

with a weeklong aftertaste,

            and I laughed at Nic because

he was right, my line

            of pretenders stretching the block,

                        and now you’re laughing, too; we’ve completely

missed our spot, and what’s it like

            having a friend tell you a truth

you’ve been trying hard to ignore?

            It’s like a hook in the mouth

                        of a fish yanked from the bottom

of a lake, ripped through the surface

            and floundering on a dock

by the foot of the fisher, a bottle

            of vegetable oil, and a Coleman grill,

                        and girl, you’re a salt lick on my palm

and I’m the lime to wash it down.

            We’re a morning hangover and an afternoon

of chores, we’re a sunset of recovery

            and a night of tongues as wet

as they come, so gut that sucker

and I’ll oil up the pan: I’ve found love

            and you’ve caught us a meal.


Parker Logan is from Orlando, Florida and lives in Baton Rouge, Louisiana. His work has recently been featured in Barely South Review,  HAD, and MEMEZINE’s The Slop Review. He works as a teen library tech in  the East Baton Rouge Public Library. You can read more about him at parkerpoetry.org

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